Purpose-driven.
Faith-inspired.

Purpose-driven.
Faith-inspired.

About Me

Seeking my next
creative role.

Seeking my next
creative role.

About

April Miller

About

April Miller

SENIOR GRAPHIC DESIGNER

I'm April — Graphic Designer with 15+ years of experience bringing ideas to life through bold visuals, thoughtful storytelling and meaningful brand experiences. From global brands to nonprofit and ministry, my work spans branding, digital + print, events, and apparel. What drives me most is using my creativity to create work that inspires people, builds connection, and makes an impact for the Kingdom.

Squared stack of mismatched paper samples

Name

—

6 min read

Why every identity starts with a paper sample

Before a single logo sketch, I ask every client for the same thing: a stack of the paper they already touch. It tells me more than any brief.

Read the note

Squared stack of mismatched paper samples

Name

—

6 min read

Why every identity starts with a paper sample

Before a single logo sketch, I ask every client for the same thing: a stack of the paper they already touch. It tells me more than any brief.

Read the note

Squared stack of mismatched paper samples

Name

—

6 min read

Why every identity starts with a paper sample

Before a single logo sketch, I ask every client for the same thing: a stack of the paper they already touch. It tells me more than any brief.

Read the note

Large serif lowercase a on charcoal paper

Name

—

4 min read

Setting Newsreader at display sizes

Newsreader was drawn for reading. Pushed to two hundred pixels, it needs a lighter hand — and an optical size axis most people never touch.

Read the note

Large serif lowercase a on charcoal paper

Name

—

4 min read

Setting Newsreader at display sizes

Newsreader was drawn for reading. Pushed to two hundred pixels, it needs a lighter hand — and an optical size axis most people never touch.

Read the note

Large serif lowercase a on charcoal paper

Name

—

4 min read

Setting Newsreader at display sizes

Newsreader was drawn for reading. Pushed to two hundred pixels, it needs a lighter hand — and an optical size axis most people never touch.

Read the note

Two business cards, one with a wordmark and one with a monogram

Name

—

5 min read

The case for fewer logo variants

Every extra lockup is a decision someone else will have to make later. Most identities need two.

Read the note

Two business cards, one with a wordmark and one with a monogram

Name

—

5 min read

The case for fewer logo variants

Every extra lockup is a decision someone else will have to make later. Most identities need two.

Read the note

Two business cards, one with a wordmark and one with a monogram

Name

—

5 min read

The case for fewer logo variants

Every extra lockup is a decision someone else will have to make later. Most identities need two.

Read the note